Hyperproduction is a conceptual framework and a software toolkit that allows producers to specify a descriptive computational model and consequently an abstract state for a live experience through traditional operating paradigms, such as mixing audio or operation of lighting, sound, and video systems. The hyperproduction system is able to interpret this universal state and automatically utilize additional production systems, allowing for a small number of producers to cohesively guide the attention and perspective of an audience using many or very complex production systems simultaneously. The toolkit is under active development and has been used for new pieces such as Fensadense, and to recreate older systems such as those for the original Hyperstring Triolgy as part of the Lucerne Festival in 2015. Work continues to enable new structures and abstraction within the framework.