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Event

Exhibition Opening: Urban Mining & Regenerative E-Waste Ecosystems

Jimmy Day/ Media Lab 

Exhibition Description: 

As we navigate the digital age and witness the rapid obsolescence of electronics, a new frontier emerges: urban mining. E-waste, often overlooked, holds immense value—where a tonne of circuit boards from our discarded electronics contains ten times more precious metals than a tonne of traditional ore. 

As a recipient of the Council for the Arts at MIT grant, the exhibition displays the thesis research of Georine Pierre (MAS '24) in the City Science Group. This exhibition delves into the stories of Old Fadama in Accra, Ghana, home to one of the world’s largest e-waste destinations and a population of over 100,000 residents. In this context, informal workers have generated complex ecosystems that tap into the potential of urban mining and its circular economy. Through immersive film, crowd-sourced data visualizations, interviews, and audio-reactive mediums projection-mapped onto repurposed electronics, the exhibition explores the geo-, socio-, and bio-political impacts of global e-waste disposal.  You can view more details about the thesis research here.

Thesis Advisor: Kent Larson

Exhibition Contributors:  Nana Yaw Asiedu Appenteng / Asiedu Studios, Yiou Wang, Daniel Pillis, Markus ElKatsha, Luis Alonso, Gabriela Bila Advincula, Thomas Sanchez Lengeling, Olivia Tang, and Catherine Wang

 The content of the exhibit includes:

Immersive Visual Display: A high-resolution film accompanied by rich soundscapes captured in Accra by a professional film crew in January 2024. This visual and auditory experience transports visitors to Ghana's e-waste recovery landscapes. 

City Model: A visually dynamic physical model of the residential/commercial area and adjacent landfill in Old Fadama, integrated with video projections for data-driven storytelling. These projections visually represent the complexities of the local environment and social conditions, contextualizing the urban landscapes seen in the film.

Data Visualizations: A series of visualizations are projected onto the physical model, bringing to life economic, environmental, and social insights related to e-waste recovery. These visualizations derive from crowdsourced GIS data capturing local economic and urban activity and remote sensing satellite data.

An adjacent sculptural work utilizes repurposed CRT monitors from MIT's e-waste to further engage visitors. These monitors are arranged to display video segments across multiple screens through projection mapping. The CRT monitors also employ TouchDesigner interfaces, incorporating audio-reactive visual elements such as glitch effects that respond to exhibition sounds. By reclaiming and revitalizing discarded electronics, the exhibition offers a critical commentary on the value of e-waste, challenging the perception of discarded technology as mere waste and highlighting its potential for creative and meaningful reuse.

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